And it allows them to be free and how they portray Brian. I think that that’s really a part of the film’s comic premise. Now, one of the overarching themes throughout the movie, of course, is the idea that Brian gets misidentified as Jesus was that a common thing misidentification back then? So it really sets up that record the still is going to be about or at the film is going to do, which is essentially take some of the building blocks both of the Gospels, but also of Jesus movies, and Jesus and popular culture, and make fun of them. And then, you know, this atmosphere of reverence with the sacred music, and then you’ve got Mandy. So you’ve got the star making its way slowly across the sky. And we don’t know the historicity of that, but the scene itself and in the movie, is really a take off on how that scene is presented in Christmas cards, in Christmas pageants and in other Jesus movies. From a historical point of view, it’s it’s very difficult to assess this is based on the account in the Gospel of Matthew in the infancy narrative about the Magi coming to visit. And then of course, at the end of this season, they realize they see another another major, who lit up, and they realize they’ve been at the wrong place, and they take their gifts back. And it shows us the character of Mandy right away. But what did you think of that opening sequence? In the movie? Looking at it from a historical perspective? And then we find out the baby’s name is Brian. We have presence, gold, frankincense, myrrh, and Mandy’s replies like, oh, well, why didn’t you say so? He’s right over here. She’s about to shoo them away when one of the wise men says we must see him. They explain to Mandy, the baby’s mother, that they were led there by a star. The movie opens with a spoof on the birth of baby Jesus, three wise men show up at two o’clock in the morning to worship the baby.

And then there was light life of brian